Tuesday, February 17, 2009
90's maze article
Digging Up the Mystical Through Mazes
By JULIE LEW
IN 1989, Alex Champion decided to trade in his test tubes for a shovel.
Though he was not exactly confronting a midlife crisis, Mr. Champion, a biochemist who is now 52 years old, decided that his work at Cutter Laboratory in Berkeley, Calif., was not half as interesting as digging earth mazes.
"I was getting dissatisfied with the combination of being in a corporation and with science in general," Mr. Champion said in June, as he inspected one of his recent creations, an earth maze at Lakeside Park for Oakland's public art program. "Besides, I'm more a physical person than I am a mental person. I've always enjoyed working with my hands."
So with his lifelong affinity for gardening and with a new motto, "Have shovel, will travel," Mr. Champion left his job to establish himself as a professional earth-maze builder. And Mr. Champion, who calls his company Earth Mazes, says he knows of no one else who builds earth mazes professionally in the country.
Mr. Champion has built 11 earth mazes in California and Washington over the last five years, including two for himself (one, 60 feet in diameter on his Mendocino County land; the other, a rectangular baby maze in the yard of his Albany, Calif., home).
He hit the big time when, at the prompting of his wife, Joan, an artist, he answered Oakland's call for a public art project with a proposal to build an earth maze that would symbolize the city. Oakland paid him $5,895 for the project, which he began in January. The path of the maze follows the outline of a circle within a cross within a circle, which he said is a symbol of an ideal city. "The boundaries and roads lead to a center," he added. "The park is in the heart of the city."
Regina Almaguer, the public arts coordinator of Oakland, said: "His was one of the few proposals that dealt with earthworks, and that people could walk through, and both children and adults could enjoy. It also broadened the concept of what public art could be. It makes people think about their physical environment." "
Mr. Champion's labyrinths are a sort of earth sculpture with a primeval flavor. They feature a single path winding from an entrance to the center. Generally, the mazes are constructed of landscaped mounds less than two feet high that serve as walls. The mazes are characterized by simple yet distinct symmetrical patterns that resemble ripples in a pond.
The mounds are often lined with rocks and planted with ground cover and flowers. His mazes have ranged in size from 396 square feet to 4,725 square feet. Prices range from $1,000 to more than $5,000.
The purpose behind the mazes is not to be challenged, as in puzzle mazes, but to enjoy the walk.
"It's a pathway to nowhere," said Mr. Champion, who has also published a book, "Earth Mazes" (Earth Maze Publishing, 1990). "The journey, not the center, is the goal." Most clients are homeowners interested in the maze as a meditative tool, he said. On journeys into various mazes over the last five years, he had sometimes felt euphoria, dizziness or an energetic charge, he added.
The earth maze's mystical overtones may sound like a California phenomenon, but labyrinths, and symbols of them, have appeared for centuries in myths, rituals, art, architecture and literature.
"When you look at labyrinths historically, there have been peaks of interest," said Sig Lonegren, a Greensboro, Vt.-based labyrinth consultant who has worked on 15 labyrinths in the Northeast in the last five years. "There seems to be a peak of interest right now."
In 1991, Britain celebrated the Year of the Maze. Parabola, a magazine published by the Society for the Study of Myth and Tradition in New York, devoted its June issue to labyrinths. Recently, the Grace Cathedral for Spiritual Wholeness in San Francisco began a project to build a replica of the Chartres, France, labyrinth in its meditation garden.
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